“Inesa Sinkevych’s interpretation of the Prelude and Etude by Debussy demonstrated that she is an artist with intuition that knows to look far beyond technique.” -Diario de Noticias, Lisbon
…a Schubertian of real distinction. -Guy Aron, Music Web International
Great range, almost infinite of nuances and timbres -Juan Piñera, CMBF Radio, Cuba
“Inesa Sinkevych played two Domenico Scarlatti Sonatas with brilliant note-perfect fluency…” -Harris Goldsmith, New York Concert Review
“Inesa Sinkevych from Israel played the Concerto No. 4 by Beethoven with a very personal sound, big presence of overtones and rich cantabile. The Cadenza was in the Barenboim style, while the Andante showed a real Musician besides a Pianist.” -Ritmo Magazine, Spain
Grasping the overarching structure and purpose is Sinkevych’s strength, allowing the music to move steadily forward – readily erasing barlines in favor of deeply personal expressions of rarified art. -S. James Wegg, JWR review
“[Sinkevych is] .. a grand pianist, young but great interpreter.” -The Ferrol Voice, Spain
“Sinkevych indeed won great approval of the public.” -Maariv, Israel
“Sinkevych is…a thoughtful and profound pianist, with enough virtuosity to dazzle audience, but without abusing this last virtue in order to go to the heart of music she played” -Radio Musical National, Cuba