Grasping the overarching structure and purpose is Sinkevych’s strength, allowing the music to move steadily forward – readily erasing barlines in favor of deeply personal expressions of rarified art. -S. James Wegg, JWR review
Great range, almost infinite of nuances and timbres -Juan Piñera, CMBF Radio, Cuba
“Sinkevych is…a thoughtful and profound pianist, with enough virtuosity to dazzle audience, but without abusing this last virtue in order to go to the heart of music she played” -Radio Musical National, Cuba
“Sinkevych indeed won great approval of the public.” -Maariv, Israel
…a Schubertian of real distinction. -Guy Aron, Music Web International
“Inesa Sinkevych from Israel played the Concerto No. 4 by Beethoven with a very personal sound, big presence of overtones and rich cantabile. The Cadenza was in the Barenboim style, while the Andante showed a real Musician besides a Pianist.” -Ritmo Magazine, Spain
“Inesa Sinkevych played two Domenico Scarlatti Sonatas with brilliant note-perfect fluency…” -Harris Goldsmith, New York Concert Review
“Inesa Sinkevych’s interpretation of the Prelude and Etude by Debussy demonstrated that she is an artist with intuition that knows to look far beyond technique.” -Diario de Noticias, Lisbon
“[Sinkevych is] .. a grand pianist, young but great interpreter.” -The Ferrol Voice, Spain